Tag: Overhead Graphlite

Syfy Opposite Worlds Season 1: Worlds Collide Trailer – Filmed with the Overhead Graphlite


Syfy Opposite Worlds Season 1: Worlds Collide Trailer


Worlds Collide Trailer – Behind the Scenes

Filmed with the Overhead Graphlite.

Production Company: Holdfast TV
Executive Producer: Jared Labitsky
Directors: Brumby Boylston + Rich Scurry
3D VFX Supervisor/ 3d Glass/ Lighting/ Rendering: John Nguyen
Pre-vis/ Set Extensions/ Lighting/ Rendering: Gene Arvan
Flame Compositing: Duy Nguyen/ 1pt1

Motion Control Operator: Paul Maples
Motion Control Tech: Craig Shumard

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Tuborg Commercial – “Make It Tag-Worthy”, Filmed with the Overhead Graphlite


Tuborg Commercial

Filmed in Lithuania with the Overhead Graphlite.
The Overhead Graphlite is a completely portable motion control gantry crane. The system ships worldwide and allows for custom configurations of either a twelve foot or fifteen foot arm, and track lengths from twelve feet to over forty feet, in twelve foot increments. Because the crane is mounted overhead, full range of motion is available without the camera ever seeing the crane or track and the rig offers more than 720° of continuous arm rotation.

Motion Control Operator: Mike Leben
Motion Control Tech: Craig Shumard


Behind the Scenes – Tuborg “Make it Tag-Worthy”

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Overhead Graphlite Featured on the Cover of Sound and Picture Magazine’s Winter 2010 Issue – Tron Legacy

Sound and Picture Magazine Cover - Winter 2010 - Tron Legacy
Read the article

When Claudio Miranda, ASC was deciding how to shoot several pivotal scenes in Tron Legacy, he determined that due to the weight of the dual Sony F35 3D camera package and the multilevel sets, traditional Steadicam shots would be impossible. He wanted a rig with the flexibility of a Steadicam, the ability to go anywhere and provide rock solid movement for the heavy camera package.

Claudio had worked with Pacific Motion Control before and was familiar with many of our rigs, so he called to see if we could make these shots happen. As we talked with Claudio, we determined that what was needed for the job was a portable, overhead motion control crane system – a system that didn’t exist. This was a challenge that we were determined to meet. Over the next few weeks, we custom built the Overhead Graphlite system to meet the needs of the production. This rig is totally portable. In fact, it’s first job (Tron) was over 1,200 miles away from our shop. The rig provided 48′ of linear movement (adaptable from 12′-72′), 15 feet of arm reach, 360+ degrees (infinite) of swing, 45 degrees of boom travel, 360+ degrees of pan and tilt. It did all of this while carrying a camera package that weighed 90 pounds!

With little time to complete the build and test the rig before shooting, Tron Legacy would be a trial by fire, but the rig performed flawlessly. During the weeks of filming the rig never missed a beat, and enabled the crew to capture amazing shots, including a fight scene shot in a continuous circle, with over 1080 degrees of movement!

Photography By Douglas Curran
Courtesy of Disney Enterprises, Inc

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Overhead Graphlite Pictures – From the set of Tron Legacy


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