Pacific Motion Control

The Ultimate Fighter Live on FX – Evolution
Filmed with the Gazelle motion control camera crane
Motion Control Operator: Mike Leben
Motion Control Tech: Adam Francis
Motion Control Tech: Garritt Hampton

Famous Footwear “Neighborhood” Commercial

Behind the Scenes

Time-Lapse Setup Video

Shot with the Zebra motion control camera dolly on location and on a stage in Vancouver, British Columbia. The camera was a Phantom Gold HD high-speed camera at 600 FPS. Behind the scenes footage was shot with a GoPro HD camera mounted to the Zebra.

Director – Loni Peristere of Zoic Studios
Motion Control Operator – Mike Leben
Motion Control Tech – Craig Shumard

On the set of a recent Tsubaki commercial, I had the opportunity to capture a few hundred pictures of the Gazelle Motion Control Camera Crane in action, in order to put together a couple of really good 3D photo sets on Microsoft’s Photosynth website. For someone unfamiliar with motion control equipment, this is a good opportunity to see what a motion control camera crane looks like, set up and ready to go.

For this shot, we were on a very long track run, and the rig needed to go about 13 feet per second, so we were using our large servo track motor, and a 5/1 gear ratio for the track drive. we also needed to pan very quickly, so we fitted our motion control pan/tilt head with a servo motor for pan, and a large servo amplifier rode on the rig.

At the time of this shoot, this was as fast as we could possibly make the Gazelle go, and it performed flawlessly. Since this time, we built a much faster track drive system. Originally built for the Cheetah dolly, this track drive system can be used on all of our rigs, giving them the fastest tracking speeds of any full motion control systems.

Grainger “Conveyor Belt” Commercial

Grainger “Hand Delivered” Commercial

At the end of 2009, we had the chance to work on two commercials that were a great example of how motion control can be used. These Grainger spots were filmed two at locations in the Los Angeles area, using the Zebra Motion Control Camera Dolly. Motion Control was used to give the look of continuous motion, and seamless transitions between widely varied locations and sets.

Produced by Kommitted Films
Agency -  Two By Four
Director – Nathan McGuinness
Executive Producer – Marc Siegel
Producer – Jodi Fisher
D.P. – Amir Mokri
Motion Control Operator – Mike Leben
Motion Control Tech – Craig Shumard
Motion Control Tech – Garritt Hampton