Tag: kuper

USC Norris Comprehensive Cancer Center Commercial – Filmed with the Impala


USC Norris Comprehensive Cancer Center Commercial


USC Norris Comprehensive Cancer Center Commercial – Behind the Scenes

This commercial shoot provided some unique opportunities and challenges for Pacific Motion. The USC Norris Comprehensive Cancer Center is part of the Keck Medicine of USC. As such, it is a working hospital and is actively treating cancer patients with highly compromised immune systems. In order to shoot in such and environment the Pacific Motion had to completely clean and sterilize all of the equipment that would be working in the hospital. Prior to the shoot the equipment had to be inspected and approved for use.

The extreme portability and compact size of the Impala made many of these shots possible. The Impala had to be able to fit behind counters and in other tight spaces for many of the shots, while still providing adequate arm length for some high angles. It had to be easily able to moved to multiple locations throughout the shoot and had to fit through standard doors and halls.

The commercial was shot on a Red Epic and featured similar moves in several locations, which had to flow seamlessly from one to the next. The ability to quickly perform offsets in Kuper motion control software allowed the crew to move the rig, then slightly offset the camera position to match each move. Throughout the shoot the Impala performed flawlessly and contributed to an outstanding commercial.

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Kevin Bacon EE “Two For One Tickets” Commercial – Filmed with the Zebra


Kevin Bacon EE “Two For One Tickets” Commercial

Kevin Bacon stars as Kevin Bacon and Kevin Bacon and Kevin Bacon and Kevin Bacon and Kevin Bacon in this fantastic commercial for EE. Filmed with the Zebra motion control camera dolly with the Talon repeat head, and three Aerohead repeat heads, this commercial allows Kevin Bacon to reprise his roles from Apollo 13, Animal House, Friday the 13th, Footloose, A Few Good Men, and Hollow Man, with references in dialog to Tremors and Flatliners as well.

This commercial was shot on 6 Panavision Millennium 35mm Film Cameras, with 3 Aeroheads, a Talonon the Zebra, and additional cameras on Sticks. After everything was shot, motion control move data was exported from Kuper (for the zebra), and from the Aeroheads and given to production for use in post.

Motion Control provided by Pacific Motion Control. for more information, visit www.PacificMotion.net or call 818-768-1573

Motion Control Operator: Paul Maples
Motion Control Tech: Craig Shumard
Aerohead Tech: Garritt Hampton
Aerohead Tech: Steve McDonagh


Constant Contact Ads, Filmed with the Gazelle


Constant Contact “Sports”


Constant Contact “Bistro”


Constant Contact “Shelter”

Filmed with the Gazelle motion control camera crane.
Kuper motion control software allowed for detailed pre-vis of all motion control shots in Maya, then imported into Kuper.

Production Company – Roger LA

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FXGuide “Interstellar” Article Focuses on Motion Control and Miniatures

FXGuide Interstallar Article, New Deal, Pacific Motion Control

FXGuide recently published an article featuring the extensive motion control and miniatures work in Interstellar. Focusing primarily on the model building and special effects work of New Deal Studios, the article features some great shots of the Graphlite and the models. Pacific Motion Control provided a few motion control rigs for the filming of most of the space scenes and models. These included the Graphlite motion control crane, in its largest configuration, with a 3′ column riser and a 36″ arm extension. We also provided a bogey dolly, heavy duty turntable, and a heavy duty rotator, used to rotate the enormous models.

The realistic models and expert special effects allowed for extremely engaging and realistic space scenes. One particular effect referred to in the article is the mounting of a VistaVision camera to the models themselves. Director, Christopher Nolan wanted an intimate look at these beautiful ships as they careen through space. Pacific Motion Control, and motion control operator, Joshua Cushner were tasked with moving these giant models with precision, while the attached camera captured the rotation of lights and background for a breathtaking, up-close view of out-of-control spacecraft.

You can view the original article at FXGuide.com

Kuper Motion Control Operator: Joshua Cushner
Motion Control Tech: Craig Shumard
Motion Control Tech: Adam Francis
Motion Control Tech: Garritt Hampton

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Kia Commercial – Filmed with the Gazelle


Kia Commercial

In this commercial, the final beauty shots of the car were shot with the Gazelle in Griffith Park, California. Motion Control is not always for Visual Effects shots. Sometimes motion control is used for just moving a camera precisely and beautifully. This commercial is a great example of that. Because Kuper motion control software allows you to program moves, record encoded moves, or combine the two techniques, you can create shots that look completely organic and handheld or very precise and robotic, depending on the needs of the shoot.

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