Tag: high definition

Overhead Graphlite Featured on the Cover of Sound and Picture Magazine’s Winter 2010 Issue – Tron Legacy

Sound and Picture Magazine Cover - Winter 2010 - Tron Legacy
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When Claudio Miranda, ASC was deciding how to shoot several pivotal scenes in Tron Legacy, he determined that due to the weight of the dual Sony F35 3D camera package and the multilevel sets, traditional Steadicam shots would be impossible. He wanted a rig with the flexibility of a Steadicam, the ability to go anywhere and provide rock solid movement for the heavy camera package.

Claudio had worked with Pacific Motion Control before and was familiar with many of our rigs, so he called to see if we could make these shots happen. As we talked with Claudio, we determined that what was needed for the job was a portable, overhead motion control crane system – a system that didn’t exist. This was a challenge that we were determined to meet. Over the next few weeks, we custom built the Overhead Graphlite system to meet the needs of the production. This rig is totally portable. In fact, it’s first job (Tron) was over 1,200 miles away from our shop. The rig provided 48′ of linear movement (adaptable from 12′-72′), 15 feet of arm reach, 360+ degrees (infinite) of swing, 45 degrees of boom travel, 360+ degrees of pan and tilt. It did all of this while carrying a camera package that weighed 90 pounds!

With little time to complete the build and test the rig before shooting, Tron Legacy would be a trial by fire, but the rig performed flawlessly. During the weeks of filming the rig never missed a beat, and enabled the crew to capture amazing shots, including a fight scene shot in a continuous circle, with over 1080 degrees of movement!

Photography By Douglas Curran
Courtesy of Disney Enterprises, Inc

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Overhead Graphlite Pictures – From the set of Tron Legacy


Ecko Unlimited Commercial

Spec commercial for Ecko Unlimited featuring a ton of motion control by Pacific Motion. Multiple passes were filmed using the Gazelle motion control camera crane. For the first pass, an actor in a Chroma Green suit was filmed as he “painted” the man on the wall. In the second pass, another actor stood with his back to the wall, then “broke away”, wiped himself off, then walked away. A third pass of clean background plates was then shot. This was done over multiple setups, in an actual dirty parking lot and alley in downtown Los Angeles.

Director – Jack Wung
Motion Control Operator – Paul Maples
Motion Control Techs – Craig Shumard, David Mansour, Garritt Hampton
Gazelle motion control camera crane provided by Pacific Motion Control


Jonas Brothers “Pizza Girl” Music Video- Pacific Motion Demo Reel


Jonas Brothers “Pizza Girl” Music Video, from the Disney Channel show “Jonas”

All of the “real pizza” footage in this music video was shot on the Pacific Motion Control stage, using the Zebra live-action motion control dolly, a Sorensen Design Pan/Tilt/Roll head, and a Phantom HD digital camera, shooting at multiple frame rates. The video is currently featured on the Jonas Brothers official YouTube Channel. The efficiency of the crew, and reliablity of the Zebra allowed this to be shot on the same stage, on the same night as this NBC/Orville Redenbacher spot.

Production Company – Engine Room

Director – Dan Schmidt

Motion Control Operator – Mike Leben

Motion Control Technician – Garritt Hampton


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