Tag: Gazelle Motion Control Crane

Adidas Commercial -Filmed With The Gazelle Motion Control Camera Crane


Adidas BOOSTTM – Energy Running – Filmed with the Gazelle motion control camera crane

Production Company – Sockeye
Motion Control Tech – Paul Maples
Motion Control Tech, Adam Francis

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Mo-Fi – True. Mobile. High Fidelity. – Product Sneak Peak Shot at Pacific Motion Control

Unleash Mo-Fi from Mo-Fi on Vimeo.

Mo-Fi – True. Mobile. High Fidelity.

This sneak peak for a new product from Blue Microphones was shot on the Gazelle motion control camera crane, at the Pacific Motion Control stage. Check out the campaign at UnleashMoFi.com

DP: AJ Raitano
Motion Control Operator: Joshua Cushner
Motion Control Tech: Garritt Hampton

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Golf Digest – Jamie Sadlowski Long Drive Champion

Jamie Sadlowski Long Drive Champion Golf Digest
Jamie Sadlowski Long Drive Champion – Golf Digest

This video was shot for a feature in the Golf Digest iPad app, by Dom Furore, at a Southern California area golf course. It was shot using the Gazelle Motion Control Crane, Cheetah high-speed track drive and our large motion control turntable. A Phantom HD high-speed camera and GoPro Hero 2 were used to capture the stunning high-speed footage. The GoPro was later destroyed while capturing the devastating swing of Long Drive Champion Jamie Sadlowski – head on.

Stills from the shoot were also featured in a Golf Digest article on Jamie Sadlowski’s swing.

Client: Condé Nast
Motion Control Operator: Paul Maples
Motion Control Tech: Garritt Hampton


Behind the Scenes Time-Lapse, Shot by Dom Furore


Ecko Unlimited Commercial

Spec commercial for Ecko Unlimited featuring a ton of motion control by Pacific Motion. Multiple passes were filmed using the Gazelle motion control camera crane. For the first pass, an actor in a Chroma Green suit was filmed as he “painted” the man on the wall. In the second pass, another actor stood with his back to the wall, then “broke away”, wiped himself off, then walked away. A third pass of clean background plates was then shot. This was done over multiple setups, in an actual dirty parking lot and alley in downtown Los Angeles.

Director – Jack Wung
Motion Control Operator – Paul Maples
Motion Control Techs – Craig Shumard, David Mansour, Garritt Hampton
Gazelle motion control camera crane provided by Pacific Motion Control



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